Culture

Because of Winn-Dixie

For a good, old-fashioned family movie, this one has it all: a timeless small town, a cute little girl, a well-meaning but distracted Dad, a few colorful secondary characters, and a dog who has an amazing capacity for bringing the humans closer together.

Annasophia Robb plays Opal, the pig-tailed 10-year old with the skinny legs and the big, blue innocent eyes and a wise-beyond-her-years outlook. She moves to this small town because her Dad (Jeff Daniels) is the new preacher. The church is just forming, and is meeting in a convenience store.

Opal describes her Dad, whom she also calls "Preacher", as a tortoise always going back inside its shell. He seems to spend a lot of time in their mobile home reading the Bible, but not much time going out and seeing people. He's sad because his wife, Opal's Mom, left him several years ago, he says, because she couldn't stand being a preacher's wife. So his resentment of his profession hangs with him along with his gritty determination to keep doing it, because he's already paid too high a price not to continue.

Coach Carter

I liked it better than "Hoosiers."

In "Hoosiers," the new high school coach in a small Indiana town in the '50's preached teamwork, teamwork, teamwork, pass the ball, set picks, four passes before every shot, and then when the star shooter arrived, all that went out the window.

His big motivational ploy was to get them to measure the hoop when they went to the State tournament. They reported it as ten feet from the floor, the same height as every basketball hoop. It was his way of demonstrating to them that they didn't need to be intimidated. And in the end, they go all the way to the State Finals.

Now it's the '90's. Coach Carter (Samuel L. Jackson) arrives at Richmond High in California, a school that graduates only 50% of its students; a school where only 6% go to college. When he preaches "teamwork, teamwork, teamwork," he means more than passing the ball to the best shooter, or running a trap play to force a turnover. He means taking responsibility for yourself, and for everyone else on the team.

The Chorus (Les Choristes)

It's not a new plot idea. Kids languish in an orphanage. New teacher comes and gets them energized. There's no real plot surprise here, it's all in how it's done. And 'The Chorus' is done in such a way that makes it seem real and heart-warming at the same time.There's precious little sugarcoating. It's mostly struggle, and conflict, with just a few moments of tenderness to make it even bearable.

The music teacher Clement Mathieu (Gerard Tugnot) is admittedly depressed as he shuffles into the dilapidated-looking French boys' orphanage in 1949. He's failed at being a professional musician. It seems that nobody really wants to pay to listen to his music. He's put his compositions away, in a leather satchel, and hidden them in the closet of his bare room at the orphanage. Metal bunk bed, wooden dresser, straight chair. The only woman around is the maid, who is seen little and heard from even less. 

Polar Express

'The Polar Express' is an animation film that features Tom Hanks voicing several roles on his way to making a Christmas movie that looks and feels really different, especially on IMAX.

Our unnamed hero is a little boy who's just old enough to start doubting Santa Claus. He overhears his parents telling each other that he's shared his doubts with his younger sister. The mother and dad say, 'This may be the last year of the magic.' The little boy falls asleep, and the next thing he knows, a big train pulls up in his front yard, where the conductor offers to take him to the North Pole.

Finding Neverland

'Finding Neverland' is the play within the play within the play that is really about finding the magic at the heart of imagination. And, fittingly enough, it's all about believing.

Johnny Depp plays J. M. Barrie, the playwright who wrote Peter Pan. It's London, 1903.  The theater is the exclusive reserve of high society:  reserved people in reserved seats.  Barrie has enjoyed some success, but he'd not gotten in touch with his 'inner child' enough to pen the story that would immortalize him. Until he met the Davies family.

The Mom (Kate Winslet) is alone with her four sons, and somewhat destitute since her husband died. Her overbearing mother (Julie Christie) provides material relief, but emotionally, she's a dead weight. She constantly fusses about discipline and responsibility, and seriousness.  As if, should there be any playfulness left in them at all, it would soon be snuffed out for lack of a belief that it was important.  Sort of like Tinkerbell.