“Rampart” refers to the name of the police station in Los Angeles where Dave Brown (Woody Harrelson) still worked in 1999.
C’mon, all you honest parents out there, you know who you are.
As horror movies go, this one is so old-fashioned it could have been made 70 years ago and no one would have known the difference.
This film is going to win lots of critical acclaim, but it will struggle to catch on in the United States.
“Real Steel”: Yes, it was nominated for an Oscar for best achievement in visual effects. And the boxing robot scenes are worth the price of admission.
In a way, it’s disingenuous to complain that this movie could have been made better. Of course it could.
Gina Carano has developed an interesting pathway to Hollywood: through being a professional fighter. And a good one. Oh, and it doesn’t hurt that she’s good-looking, in a girl-next-door, slightly hard-edged but still a little vulnerable kind of way. You might even enjoy a lunch date with her. You just wouldn’t want her after you.
It was a risk, casting an unknown in the primary role.
“The Grey” is one of those rare contemporary films that not only mention faith, but holds a significant and serious discussion about it.
Glenn Close has been trying to get this movie made for oh, about 30 years or so.
Mavis Gary is a pathetic character, and yet, somehow, we care about her. She’s self-centered, delusional, amoral, depressed, addictive and self-destructive, but she wants so desperately for the world to be as she wants it to be, rather than how it is, that we almost wish it with her.
“Iron Lady” is the story of the doddering years of Margaret Thatcher, the former prime minister of Great Britain.
OK, so it’s corny. I still liked it. For the believer, especially, it features some astounding aspects seldom seen in modern cinema:
The battle for Bosnia was the bloodiest combat since World War II, but it did not raise our national awareness like, say, the Gulf War.
We feel for Chris Farraday (Mark Wahlberg). In his younger years, he led a life of crime, but somehow he has been able to get out of “the life” and go straight, without anybody coming after him, either the law or his former cohorts. His successors in the international smuggling business have apparently felt no need to eliminate him as a potential informant.
Originally titled, in French, “The God of Carnage,” and written as a play, this one definitely looks staged, and definitely worships chaos.
“We Bought A Zoo” will be a crowd-pleaser. It’s charming, it’s sentimental, it’s hopeful, it has plenty of star power, and it’s based on a heartwarming true story. A little unevenness can be readily excused.
It’s easy to like “War Horse.” Characteristically of Steven Spielberg films, cute children and precocious teenagers play a large part.
I remember reading this book when it first appeared in print, during the height of the Cold War.
Motion capture is the name of the technology utilized by director Steven Spielberg.
At the turn of the 20th century, there were a couple of brilliant minds developing what would become the established science of psychotherapy: Carl Jung in Switzerland and Sigmund Freud in Austria.
It’s been a while since a mainline movie was rated NC-17. And this one carries that rating for very good reason.
OK, it’s both weird and non-linear. To the point of impressionistic, what with its long introduction/foreshadowing with the classical music and the things falling out of the sky and freeze-frame images, collaged as if on a cinematic canvas.
This series is really enjoyable to watch. Robert Downey, Jr. makes a credible and athletic Mr. Holmes, a master of disguise and observer of nearly everything.
Yes, it’s a re-make. The original Swedish film was such a sensation that the English translation of the book caught on, then the two sequels, and now we make an English-language version of the Swedish film, still utilizing the cold remoteness of winter in Scandinavia, even occasionally showing newspaper clippings in Swedish, but everybody speaks English, whether or not with a Swedish accent.
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