"Carr’s project helps us more fully see, hear (and be challenged by) Barth and Cone in the fullness of their thought and the long polyphonic arc of its development," writes Derek Elmi-Buursma of Raymond Carr's new book.
"Writing and Rewriting the Gospels" brings Occam’s razor to bear, leading to what Barker calls the snowball theory: Mark comes first. Matthew uses Mark. Luke uses Matthew and Mark, and John has access to all three (and Paul).
Angela Denker explores the radicalization of young White men in America and the role of right-wing Christianity, while also highlighting those who promote a more compassionate path. — Amy Pagliarella
Journalist and pastor Jeff Chu reflects on the lessons he learned at Princeton Seminary's Farminary.
A poignant poetry collection on memory, loss, and healing, "Seeing Things" explores trauma, family, and resilience. Amy Pagliarella offers a review.
"Becoming the Pastor’s Wife" is a must-read for those who enjoy church history, cultural commentary, or a really good mystery, writes Amy Pagliarella.
Maria Bowler’s "Making Time" offers a fresh, creative approach to time, moving beyond productivity to embrace presence, curiosity, and the joy of making. — Amy Pagliarella
Liz Charlotte Grant addresses recovering fundamentalists, inviting them to rediscover the relevance of Scripture throughout the pages of "Knock at the Sky," writes Emery J. Cummins.
Norman Wirzba offers a theology of hope in “a time of crisis.” Amy Pagliarella reviews Wirzba's latest book.
Russell Muirhead and Nancy Rosenblum make a compelling case that America’s “ungoverning” may lead to a national government so weak that no party or leader can govern. Paul B. Dornan reviews their new book.
AnneMarie Mingo highlights Black churchwomen’s moral leadership in the Civil Rights Movement, showcasing their faith, courage, and theo-moral imagination.
The Anti-Greed Gospel pairs theology with practical approaches: economic solidarity, creative anti-violence, and prophetic storytelling.
Yolanda Pierce’s "The Wounds Are the Witness" explores Black faith, memory, and justice, urging us to reclaim our wounds as a path to healing and action. — Nannette Dixon
Struggling with Transfiguration Sunday? Sarah Hinlicky Wilson offers seven fresh angles on this mysterious event, weaving theology, exegesis, and preaching insight.
From a misattribution of the story about the boy Jesus in the temple to the gospel of Matthew to his handling of Paul, (Mark) Lilla seems more interested in pique than in substance. — Rev. Dr. Rocky Supinger
"The essays on the author’s trips abroad felt as if I, too, gazed west toward the Atlantic, where (Ta-Nehisi) Coates’ ancestors were shipped into enslavement." — Alfred Walker
"Each of the 42 stories references themes of belonging, being beloved and delight. Clark frames these stories through this lens, tying them together with the thread of God’s love and delight in humanity." — Jo Wiersema
"Draw Close" by Stephanie B. Dunn is an engaging Lenten guide blending prayer, reflection, and creative practices for spiritual renewal, writes Amy Pagliarella.
Why are young adults leaving the church, and how do we compel them to return? Howard Cha-Young Kim reviews Jeffrey F. Keuss' "Defiant Hope, Active Love."
Amy Leach riffs on her her religious upbringing and present like a jazz trumpeter improvising, writes Andrew Taylor-Troutman.
Who was the real Augustine? In "Beautiful Bodies," Margaret R. Miles reexamines Augustine’s later sermons, showcasing a journey from reason to heartfelt emotion. Samuel McCann offers a review.
Tricia Hersey calls readers to liberate themselves from "grind culture," Amy Pagliarella writes.
“What if scarcity is a social construct?” Amy Pagliarella reviews Indigenous botanist Robin Wall Kimmerer's latest book.
“Miller-McLemore argues that following our bliss is a lie, built on a romanticized ideal insufficiently grounded in the realities of our lives.” — Philip J. Reed
For religious and spiritual alike, "Ordinary Mysticism" provides a smorgasbord of resources for listening to life to hear the voice of divine presence in the ordinary. — Jessica Hawkinson Dorow
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