“The Roommate”: Minka Kelly plays Sara, who goes off to college taking potluck for a roommate, and the one she gets turns out to be a psycho off her meds.
The classic romantic comedy is now working backwards. Instead of friendship leading to personal attraction leading to romance leading to physical intimacy, this one does the reverse. And the weird part is that it feels almost normal.
The Company Men” is so real it hurts. Ben Affleck plays Bobby Walker, a coat-and-tie, up-and-coming junior executive, who swaggers late into the staff meeting bragging that he just shot an 84 on the club course. Everybody sits in stunned silence.
Yes, “The Green Hornet” is a re-make, and homage, both to the 1940s version, and its subsequent radio program, and the one-season 1960s television show, introducing Bruce Lee.
“Somewhere” goes nowhere. Supposedly, that’s part of the point, but just because you’re trying to show that the main character is bored doesn’t mean the viewers need to feel the same way to identify with the character.
This movie seems, at first glance, to have a lot going against it. It depends almost exclusively on two actors who are neither the most famous nor the most critically acclaimed.
Despite all the complaining people do about the seemingly exorbitant salaries of successful entertainers (including sports), the truth is, in our grand American democracy (here I’m waving the flag), it’s a strict meritocracy.
Those of you who can sing along with me the "Yogi Bear" theme song from the late 50s/early 60s cartoons need to know that this “Yogi Bear” is a re-make: new voice actors for all the characters, new type of animation, but, comfortingly, the old familiar story line. (Who said that music memory isn’t powerful?)
"The Fighter” is a real-life story, of “Irish” Micky Ward, the pride of Lowell, Mass., rising to the world welterweight title. But it sure wasn’t an easy road.
OK, first you have to enjoy that whole British royalty thing — regal, isolated, aloof, and treated with such tremendous deference by everyone around you that if you’re not careful you’re likely to start believing in — divine right or something.
Jim Carrey and Ewan McGregor are among the elite actors in Hollywood: they’re proven veterans, and between them, they’ve done everything from comedy to drama to musicals.
We first encounter Angelina Jolie through the lenses of the men watching her from a surveillance vehicle, complete with the latest high-tech equipment.
A film based on the wondrous writings of C.S. Lewis is bound to be very satisfying for the believer, because Lewis himself was a Christian apologist, in the classic rhetorical sense, and he very much intended the heavy symbolism of his “Narnia” series to be understood as Christian.
“Burlesque” is not so much a movie as an elongated musical video. It’s like the old-fashioned song-and-dance musicals, except this one boasts stage routines that are a lot more suggestive. It’s rated PG-13 — they were careful not to fall into the trap of actually revealing anything that would give it an “R” rating — but the racy material is definitely not for children.
“Greenberg” is a very depressing film about two very depressed characters. But once you get into it, you find yourself caring about them, anyway, and hoping that somehow, some way, they would find a little happiness — and maybe even through each other.
It’s refreshing to see a lad play a troubled teen who actually is a teenager. Keir Gilchrist, a veteran television actor, plays Craig, who’s so depressed that he checks himself into a psychiatric unit.
“Tangled” is the animated adaptation of the Grimm fairy tale “Rapunzel.” It’s a really strong production, with great singing voices, a credible plot, a big helping of humor, and a romance to root for, besides.
